Here is a list of best video editing software available for Windows, Mac OS and Linux. This list contains software for free download as well as professional video editor tools that you can buy. With the rise of YouTube, a lot of people got interested in video editing.

Best Mac For Editing
Editing Program For Mac
Video Editing Program For Mac
Audio Editing For Mac
Multi Camera Editing Program For Mac

Vegas Pro offers Blu-ray disc authoring, editing tools for standard def, high definition, or even 3D video, support for multi-camera video editing, and support for more audio and video formats.
The Best Video Editing Software of 2018 Whether you're a weekend GoPro shooter or a full-time video professional, you need editing software that's powerful but easy to use. Here's how the best.
Here's how the best video editing software stacks up. Multicam editing, which lets you switch among camera angles of the same scene shot with multiple video cameras, used to be a feature.

Learn how to create and edit a multi-camera source sequence using clips from multiple camera sources by synchronizing In/Out points, clip markers, and audio.

Premiere Pro lets you create a multi-camera source sequence using clips from multiple camera sources. You can synchronize clips by manually setting In points, Out points, or clip markers. Or you can use audio-based syncing to accurately align clips in a multi-camera sequence.

Click New Project from the Premiere Pro Welcome screen, or select File > New Project.

In the New Project dialog box, enter a name for the project, and click OK to accept the defaults.

Select File > Import. In the Import dialog box that appears, navigate to the directory containing your video and audio files. Select the files to import, and click Open.

Note:

To select a range of files all at once, click the first file and Shift-click the last file while selecting all the files in between.

You can create a multicam source sequence in the following ways:

Select a bin containing assets and choose a sync method from the Create Multi-camera Source Sequence dialogbox. All clips in the bin are processed based on the sync method and ordered alpha-numerically in each resulting source sequence.
Select assets manually and choose a sync method from the Create Multi-camera Source Sequence dialog box. The order in which you selected the clips determines the order in the resulting source sequence.

To use the Create Multi-camera Source Sequence dialog box, select your clips or bin from the Project panel. Then, right-click (Windows) or Ctrl-click (Mac OS) the selected clips and choose Create Multi-camera Source Sequence from the context menu.

For more information on specifying the settings in the Multi-camera Source Sequence dialog box, see Using the Multi-camera Source Sequence dialog box.

Edit the multi-camera source sequence in a target sequence.

To create a target sequence, with the multi-camera source sequence selected in the Project panel, choose File > New > Sequence From Clip. You can also right-click (Windows) or Ctrl-click (Mac OS) on the multi-camera source sequence and select New Sequence From Clip from the context menu.

Premiere Pro creates a multi-camera target sequence, and opens it in the Program Monitor and Timeline panel.

5. Enable multi-camera editing in the Program Monitor

To enable the multi-camera target sequence for multi-camera editing, click the icon, and choose Multi-camera from the pop-up menu in the Program Monitor. The Program Monitor is now in Multi-camera mode.

In the Multi-camera mode, you can view the footage of all cameras simultaneously and switch between cameras to choose footage for the final sequence.

Click the Multi-camera Record toggle button on. If the button is not visible in the button bar, click '+' in the lower-right corner of the Program Monitor to open the Button editor. Drag the Multi-camera Record button to the button bar.

In the Program Monitor or Timeline panel, press the spacebar or click the Play-Stop toggle button to begin playback. While the sequence is playing, press the number key on the main keyboard to cut to the camera with that number. For more information about using keyboard shortcuts, see Keyboard shortcuts for multi-camera editing.

After you have recorded your multi-camera edit, you can do the following:

Rerecord the final sequence and substitute clips with footage from one of the other cameras.
Edit the multi-camera source sequence as you would any other sequence—using the standard editing tools and techniques, adding effects, compositing using multiple tracks, including adjustment layers.
Change cameras after they have already been recorded.
Cut to a new angle.

Note:

You can use keyboard shortcuts for multi-camera editing. You can use the number keys to switch cameras as the multi-camera sequence plays. The keyboard shortcuts can also be used to change angles after completing a multi-camera edit. For more information, see Multi-camera keyboard shortcuts.

With the sequence active in the Program Monitor or Timeline panel, select File > Export > Media. Specify the export settings and click Export, or click Queue to send the sequence to Adobe Media Encoder for encoding. For more information, see Workflow and overview for exporting.

Note:

If clips are synchronized by timecode (jam-synced) at the shooting location, you do not need to mark clips for synchronization.

Before creating a multi-camera source sequence, it is important to mark clips for synchronization. Open each clip and then do one of the following at the sync point:

Mark an In Point at a sync point at the beginning of a clip. For example, mark an In point where the clapperboard (slate) is clapped at the head of a clip.
Mark an Out point at a sync-point at the end of a clip. For example, mark an Out point where the clapperboard is clapped at the tail of a clip.
Make a clip marker at a sync point at any point during a clip. For example, if there is action at any point during a clip that can be used as a sync-point, like an audio cue, cymbal crash, or a camera flash. Rename each marker so that they are identically named for synchronization. Type the same clip marker name for each clip in the Marker dialog box, and then click OK. (See Add markers in the Timeline.)

Timecode can also be used to synchronize clips, and it does so automatically. However, timecode must be identical on all clips for them to synchronize properly. If the timecode is identical on all the clips you plan to synchronize, you do not need to mark clips for synchronization. If you use the hours value in source timecode as a camera designator, select the Ignore Hours option. Premiere Pro then uses only minutes, seconds, and frames to synchronize clips.

To stamp identical timecode on all clips, record the cameras with jam-synced timecode on location, or modify the timecode for each clip in Premiere Pro. (See Set timecode manually for a clip.)

Use the Create Multi-camera Source Sequence dialog box to combine clips that have common In/Out points or overlapping timecode into a multi-camera sequence. You can also combine clips using audio waveforms and markers.

The Create Multi-Camera Source Sequence dialog box

You can name your multi-camera source sequence after your primary video or audio clip in the sequence. From the pop-up menu, select the appropriate option to append 'Multicam' or a custom name to the primary video or audio name.

Alternatively, select Custom from the pop-up menu, and enter a custom name in the text box.

Note:

Before creating a multi-camera source sequence using In points, Out points, or clip markers as the synchronization point, you mark clips for synchronization. For more information, see Mark clips for synchronization.

In Points, Out Points

Mark the sync points using In Points or Out Points before creating the multi-camera source sequence.

Timecode

Select the Timecode option to synchronize the clips if they were recorded with timec

Multi Camera Editing Program For Mac